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Background
Sound is our brain's interpretation of changes in air pressure against
our eardrums. Audio recording as pioneered by Thomas Edison created a
variety of devices which essentially duplicated the vibrations of our
eardrums by engraving bumpy grooves on wax drums or wire. Playback was then
accomplished by following the grooves with a "needle" that vibrated a
membrane which in turn created a sound that approximated the original .
Although the process was improved as other media such as ivory and
eventually vinyl records were produced, the underlining principal was
unchanged.
Digital sound, like a computer program, is nothing more than a
series of ones and zeros in sequences that can be interpreted by a
computer as instructions. These sound files can be stored on magnetic media
such as a hard drive or floppy disk or on optical media such as compact
disks, better known today as CD's. Originally called CD-ROM to
indicate that they were a Read Only Medium, CD's are now a read and write
medium which is the actual purpose behind this piece.
There are some obvious similarities between vinyl records and CD's
insofar as they are plastic disks with microscopic grooves or pits but the
similarities stop there. Unlike the grooves in records which are
actual miniature sound vibrations, the pits in CD's represent ones and
zeros. Unlike records that are played with a needle that follows the
grooves, a CD is read with tiny laser beams that can be aimed anywhere
in any sequence.
In addition to data that a computer can interpret into sound, an audio
file must contain additional computer instructions to enable error checking,
decompression and other essential or ancillary information. Generally
speaking the non-audio data is stored in the file header itself or in a
special location on the CD.
Compact disk technology has not changed dramatically since the inception
of the medium but there has been a revolution in access to the technology
and in the content itself. Originally a CD was inserted into a stand alone
CD player to play music; then a bit later CD's began to be used as a
substitute for floppy disks to store computer installation programs. At this
point in technological history there was a data CD and a music CD. A
computer with a sound card could play a music CD but a data CD meant nothing
to a CD player.
With the advent of new, more efficient compression algorithms new file
types such as MP-3 were created while at the same time CD burners became
affordable. The inevitable result was that computer users began to burn MP-3
files onto CD's so that we now had a music CD that couldn't be played by a
CD player.
Add to the confusion more sound file formats, MP-3 players, combination
players, DVD players, CD-R, CD-RW, multi-session, single-session and who
knows what next. For the purpose of simplicity herein we'll call any optical
disk that will play sounds through any device a music CD and any optical
disk that can only be read by a computer a data CD. We'll still have to
address some hybrids of course but it should make things easier to
understand.
The various standards for CD-ROM are differentiated by book color. Book
color is often used by standards committees to distinguish between topics.
The first popularly know example was probably the Blue Book that was used by
the automotive industry to establish standard resale values for used cars.
The original CD-ROM standard for digital audio CD was called red book CD-DA
standard.
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Book |
Format |
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Red |
Digital Audio (CD-DA or CD-A) |
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Yellow |
Digital Data (CD-ROM): ISO 9660 / High
Sierra, Extended Architecture (CD-ROM XA) |
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Green |
CD-Interactive (CD-I) |
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Orange |
Magneto-Optical (MO), CD-Recordable
(CD-R), CD-Rewriteable (CD-RW) |
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White |
Photo CD, Video CD and hybrid types. |
Next, let's examine the original
Redbook CD Digital
Audio concept a bit deeper.
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